نوع مقاله : مقاله پژوهشی
نویسنده
استادیار گروه آموزشی زبان و ادبیات فارسی، دانشکدۀ علوم انسانی، دانشگاه بجنورد، بجنورد، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Iran-Shahri is one of the identity-building discourses in the poems of court poets of the fourth and fifth centuries AH. Manouchehri Damghani, one of the prominent poets of the Ghaznavid era, presents a multi-layered image of “Iran” in his Divan, which is tied to nationality, myth, history and culture. This article examines how the Iran-Shahri discourse is represented and reproduced in Manouchehri’s poetry by selecting verses from Manouchehri’s Divan that have Iranist themes, extracting and classifying the system of signs (codes) of national identity and using the method of discourse analysis. The main questions of the research are: How is Iran represented in Manouchehri Damghani’s Divan? And what discursive components does this representation carry? This article attempts to explore the various layers of this discourse and analyze its place in the cultural space of the Ghaznavid era. Manouchehri reproduces the Iran-Shahri discourse with the seven codes of "Iranian geography, mythical figures, historical figures, Iranian festivals and rituals, Iranian calendar, Iranian music and other codes." Content analysis shows that Manouchehri relying on the manifestations of Iranian culture, has played an important role in the revival of the national identity of Iranians after Islam and is in the line of continuity of the discourse that represents Iran as a rejuvenating and enlightened land. In this respect Manouchehri can be considered one of the pioneers of Iran-Shahri discourse in laudatory odes.
کلیدواژهها [English]
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